Our Spring Sale will be on the 18th April 2021 at 13:00(BST) and will consist of Fine Furniture, Paintings, Works of Art and Jewellery.
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Lot 1.
Alexis Simon Belle 1
The Honorable Mildmay Fane by Alexis-Simon Belle (1674-1734)
Oil on Canvas Size: 148cm x 124cm framed.
Housed in a British Baroque style gilt frame.
Provenance: Held by the family at Apethorpe Hall, Wansford, Northamptonshire. The Honorable Mildmay Fane (1689-1715) was a military man and British politician; portrayed here in a three quarter length standing pose, wearing a silk embroidered coat with a blue cloak. He has his right hand on his hip, which was a familiar stance in the 18th Century, when having your portrait painted. His left hand is resting on a plinth. In the right hand corner is a landscape scene. Later inscribed ‘My fifth son/Vere E. of Westmorland’ and inscribed verso ‘Mildmay-5th-son of/4th Earl of Westmorland.’ Fane did not survive his election very long, dying unmarried on September 11th 1715. He left his lands to his brother, Col.John Fane, who replaced him as the member for Kent in an uncontested by-election. The painting was purchased by Augusta Fane (his father’s first cousin) in a sale at Christies in June 1892. It last came on the market in 2008.
£25,000 - £28,000
Alexis Simon Belle 1
The Honorable Mildmay Fane by Alexis-Simon Belle (1674-1734)
Oil on Canvas Size: 148cm x 124cm framed.
Housed in a British Baroque style gilt frame.
Provenance: Held by the family at Apethorpe Hall, Wansford, Northamptonshire. The Honorable Mildmay Fane (1689-1715) was a military man and British politician; portrayed here in a three quarter length standing pose, wearing a silk embroidered coat with a blue cloak. He has his right hand on his hip, which was a familiar stance in the 18th Century, when having your portrait painted. His left hand is resting on a plinth. In the right hand corner is a landscape scene. Later inscribed ‘My fifth son/Vere E. of Westmorland’ and inscribed verso ‘Mildmay-5th-son of/4th Earl of Westmorland.’ Fane did not survive his election very long, dying unmarried on September 11th 1715. He left his lands to his brother, Col.John Fane, who replaced him as the member for Kent in an uncontested by-election. The painting was purchased by Augusta Fane (his father’s first cousin) in a sale at Christies in June 1892. It last came on the market in 2008.
£25,000 - £28,000
Lot 2.
Damon Hill by Paul Oz. An Original oil on board.
Measurements - 114.3cm x 99.06 cm
£12,000 - £14,000
Damon Hill by Paul Oz. An Original oil on board.
Measurements - 114.3cm x 99.06 cm
£12,000 - £14,000
Lot 3.
George Morland (1763-1804) Bedtime Oil on Panel, 36 x 28cm / 60 x 52cm
A touching subject matter and an excellent example of the work of one of Britain's most famous 18th Century painters. George Morland lived a very full and prolific life. He exhibited at the Royal Academy at the very young age of 10, and escaping from his father and taskmaster who apparently kept him virtual prisoner, making him draw and then selling his works and keeping the money, he went to Margate where he continued and developed his taste for a rollicking lifestyle of excess. Morland is infamous both for his excesses and for his skill as a draughtsman and his works are extremely sought after and well represented in National museums and private collections.
£3,000 - £4,000
George Morland (1763-1804) Bedtime Oil on Panel, 36 x 28cm / 60 x 52cm
A touching subject matter and an excellent example of the work of one of Britain's most famous 18th Century painters. George Morland lived a very full and prolific life. He exhibited at the Royal Academy at the very young age of 10, and escaping from his father and taskmaster who apparently kept him virtual prisoner, making him draw and then selling his works and keeping the money, he went to Margate where he continued and developed his taste for a rollicking lifestyle of excess. Morland is infamous both for his excesses and for his skill as a draughtsman and his works are extremely sought after and well represented in National museums and private collections.
£3,000 - £4,000
Lot 4.
Painted and inlaid satinwood table.
Circa 1900
£3000 - £4000
Painted and inlaid satinwood table.
Circa 1900
£3000 - £4000
Lot 5.
Empire style mantel (fireplace) clock with white marble base. Classical gilt bronze detail to clock and base with bronze cherub embracing a bronze rooster, circa 1820.
H 39 cm x W 26 cm x D 14.5 cm
£2,500 - £3,000
Empire style mantel (fireplace) clock with white marble base. Classical gilt bronze detail to clock and base with bronze cherub embracing a bronze rooster, circa 1820.
H 39 cm x W 26 cm x D 14.5 cm
£2,500 - £3,000
Lot 6.
A Stunning round yew wood gate leg table circa 1670-1710.
Height 71.5cm width 62cm depth 48cm
A really beautiful yew wood oval gate leg table, very early in date and in excellent condition, this is a rare find. The four Windsor chairs, also of yew wood date from around 1820 with each individual charcteristic of their different makers obvious in the detail.
£3,000 - £4,000
A Stunning round yew wood gate leg table circa 1670-1710.
Height 71.5cm width 62cm depth 48cm
A really beautiful yew wood oval gate leg table, very early in date and in excellent condition, this is a rare find. The four Windsor chairs, also of yew wood date from around 1820 with each individual charcteristic of their different makers obvious in the detail.
£3,000 - £4,000
Lot 7.
A Victorian George III style mahogany framed 'Gainsborough' armchair.
This 'Gainsborough' style chair is from Ireland. It is upholstered in a Classic tapestry fabric with birds and foliage. Detailed carving on the arms and legs. It is very comfortable, being of generous proportions. Height from floor to the top of the back is 91cm. The seat depth is 57cm. The widest point to the seat is 73cm tapering to 57cm. The back is 57cm x 57cm. The seating height is a very comfortable 43cm, making it very easy to stand up from! This armchair has recently been professionally cleaned. The provenance is thought to be Irish. This elegant and relaxing chair would look equally as good in a hallway as in a living or bedroom area.
£800 - £1,200
A Victorian George III style mahogany framed 'Gainsborough' armchair.
This 'Gainsborough' style chair is from Ireland. It is upholstered in a Classic tapestry fabric with birds and foliage. Detailed carving on the arms and legs. It is very comfortable, being of generous proportions. Height from floor to the top of the back is 91cm. The seat depth is 57cm. The widest point to the seat is 73cm tapering to 57cm. The back is 57cm x 57cm. The seating height is a very comfortable 43cm, making it very easy to stand up from! This armchair has recently been professionally cleaned. The provenance is thought to be Irish. This elegant and relaxing chair would look equally as good in a hallway as in a living or bedroom area.
£800 - £1,200
Lot 8.
A fine Regency Rosewood Chaise/Daybed with ormolu mounts and a classical scroll shape it does also have the roll end cushion which is missing in the photograph.
Circa 1820/40
Chais 2100mm long, 760mm high, 700mm wide
£2,500 - £3,000
A fine Regency Rosewood Chaise/Daybed with ormolu mounts and a classical scroll shape it does also have the roll end cushion which is missing in the photograph.
Circa 1820/40
Chais 2100mm long, 760mm high, 700mm wide
£2,500 - £3,000
Lot 9.
This is a 19th Century parquetry inlaid card table with Ormolu gilt bronze mounts. It’s in the french style but more than likely British made circa 1880.
Height: 75cm
Width: 60cm
Depth: 60cm
£1,200 - £1,800
This is a 19th Century parquetry inlaid card table with Ormolu gilt bronze mounts. It’s in the french style but more than likely British made circa 1880.
Height: 75cm
Width: 60cm
Depth: 60cm
£1,200 - £1,800
Lot 10.
A French Late 19th Century Gilt Bronze mounted Amaranth, sycamore & Fruitwood Marquetry Commode, Design after J. H Riesener. H 94cm W 166cm D 64cm.
The shaped marble top above a central long drawer flanked by a pair of short drawers. This stunning commode follows the designs of two models executed by Riesener. The first being a commode created by Riesener in 1778 for Louis XVI's cabinet de retraite at the Chateau de Fontainebleu and was later moved to his library at Versailles.
The second was created for the bedroom of Pope Pius VII, also at the Chateau de Fontainebleu, in 1801. The purpose of the Pope's visit to Fontainbleu was to discuss with the then First Consul Napoleon, the place of the Roman Cathoilic church in post-revolutionary France. The resulting concordat of 1801 which consolidated the church's position as the majority church in the country also lent its name to the Commode - Commode du Concordat.
£20,000 - £25,000
A French Late 19th Century Gilt Bronze mounted Amaranth, sycamore & Fruitwood Marquetry Commode, Design after J. H Riesener. H 94cm W 166cm D 64cm.
The shaped marble top above a central long drawer flanked by a pair of short drawers. This stunning commode follows the designs of two models executed by Riesener. The first being a commode created by Riesener in 1778 for Louis XVI's cabinet de retraite at the Chateau de Fontainebleu and was later moved to his library at Versailles.
The second was created for the bedroom of Pope Pius VII, also at the Chateau de Fontainebleu, in 1801. The purpose of the Pope's visit to Fontainbleu was to discuss with the then First Consul Napoleon, the place of the Roman Cathoilic church in post-revolutionary France. The resulting concordat of 1801 which consolidated the church's position as the majority church in the country also lent its name to the Commode - Commode du Concordat.
£20,000 - £25,000
Lot 11.
18th century long Regency mahogany Irish Hunt or Wake table, circa 1740-1760 Beautiful color with two drop leaf sides and gate-leg supports.
Measure: Fully open the table is 147 cm at the widest oval point. 71 cm in height and 222 cm in length.
£18,000 - £22,000
18th century long Regency mahogany Irish Hunt or Wake table, circa 1740-1760 Beautiful color with two drop leaf sides and gate-leg supports.
Measure: Fully open the table is 147 cm at the widest oval point. 71 cm in height and 222 cm in length.
£18,000 - £22,000
Lot 12.
George III Mahogany serving table.
Circa 1815. With splash back and decorated with a deep hadron border, supported on heavy paw feet.
£7,000 - £9,000
George III Mahogany serving table.
Circa 1815. With splash back and decorated with a deep hadron border, supported on heavy paw feet.
£7,000 - £9,000
Lot 13.
A fine Mahogany tilt top table George II. A wonderful colour and untouched
Height: 70cm
Diameter: 88cm
£800 - £1,000
A fine Mahogany tilt top table George II. A wonderful colour and untouched
Height: 70cm
Diameter: 88cm
£800 - £1,000
Lot 14.
Lewis 1000 by Paul Oz
Lithograph
160.02 x 96.52
£3,000 - £4,000
Lewis 1000 by Paul Oz
Lithograph
160.02 x 96.52
£3,000 - £4,000
Lot 15.
A pair of Andre-Charles Boulle (style) cabinets, circa 1860-1870.
A pair of cabinets in the style of Andre-Charles Boulle. They are of mahogany with tortoiseshell (turtleshell) marquetry and beautifully applied gilt bronze ormolu mounts, handles and decoration, including to the sides. There is a single key, which locks both cabinets securely. A sculpted black marble top creates elegance to these striking pieces, circa 1860-1870. The furniture of Andre-Charles Boulle (1642-1732) was so highly regarded, that it was collected by art connoisseurs even during his life-time. Its popularity has continued ever since, such that we now use his name to describe any piece of furniture which is made using this characteristic ebony-mounted turtleshell and brass marquetry veneer; it is called 'boulle marquetry.'
His pieces were finished off with the addition of sculptural mounts made of gilt bronze, which highlighted the corners, feet, keyholes, handles and even provided central features on certain pieces. It is particularly these mounts, often of classical imagery, that added grandeur to Boulle's furniture and turned utilitarian objects into works of art. One cabinet is slightly taller than the other, being 110cm as opposed to the other at 108cm. Both are 115cm long. They do vary again in depth, one being 40cm with the other 43cm (but sold as a pair, we will not separate) There is a single mahogany shelf to both pieces with a mahogany interior. In very good condition for its age. We have had the hair-line scratches polished out of the black marble and a small amount of chipping to the back edge has been restored. They are fabulous to look at.
£15,000 - £18,000
A pair of Andre-Charles Boulle (style) cabinets, circa 1860-1870.
A pair of cabinets in the style of Andre-Charles Boulle. They are of mahogany with tortoiseshell (turtleshell) marquetry and beautifully applied gilt bronze ormolu mounts, handles and decoration, including to the sides. There is a single key, which locks both cabinets securely. A sculpted black marble top creates elegance to these striking pieces, circa 1860-1870. The furniture of Andre-Charles Boulle (1642-1732) was so highly regarded, that it was collected by art connoisseurs even during his life-time. Its popularity has continued ever since, such that we now use his name to describe any piece of furniture which is made using this characteristic ebony-mounted turtleshell and brass marquetry veneer; it is called 'boulle marquetry.'
His pieces were finished off with the addition of sculptural mounts made of gilt bronze, which highlighted the corners, feet, keyholes, handles and even provided central features on certain pieces. It is particularly these mounts, often of classical imagery, that added grandeur to Boulle's furniture and turned utilitarian objects into works of art. One cabinet is slightly taller than the other, being 110cm as opposed to the other at 108cm. Both are 115cm long. They do vary again in depth, one being 40cm with the other 43cm (but sold as a pair, we will not separate) There is a single mahogany shelf to both pieces with a mahogany interior. In very good condition for its age. We have had the hair-line scratches polished out of the black marble and a small amount of chipping to the back edge has been restored. They are fabulous to look at.
£15,000 - £18,000
Lot 16.
William Lee Hankey (1869-1952)
The Market Place, Dieppe
Oils 63.5 cm x 76 cm
Framed
William Lee Hankey RWS, RI, ROI, RE, NS was a British painter and book illustrator. He specialised in landscapes, character studies and portraits of pastoral life, particularly in studies of mothers with young children such as "We’ve Been in the Meadows".
£3,000 - £4,000
William Lee Hankey (1869-1952)
The Market Place, Dieppe
Oils 63.5 cm x 76 cm
Framed
William Lee Hankey RWS, RI, ROI, RE, NS was a British painter and book illustrator. He specialised in landscapes, character studies and portraits of pastoral life, particularly in studies of mothers with young children such as "We’ve Been in the Meadows".
£3,000 - £4,000
Lot 17.
John Henry Dell (1836-1888)
'Rolling Turnips'
15 cm x 24 cm
Oil on panel
£1,000 - £1,500
John Henry Dell (1836-1888)
'Rolling Turnips'
15 cm x 24 cm
Oil on panel
£1,000 - £1,500
Lot 18.
Claude William Harrison (1922-2009)
'Bathing by the waterfall'
Oils 51 cm x 61 cm
Framed
£900 - £1,200
Claude William Harrison (1922-2009)
'Bathing by the waterfall'
Oils 51 cm x 61 cm
Framed
£900 - £1,200
Lot 19.
Jules Lentrein (1875-1943)
'Elegant figures by an ornamental pool'
Oils 99 cm x 76 cm
Framed
£4,000 - £5,000
Jules Lentrein (1875-1943)
'Elegant figures by an ornamental pool'
Oils 99 cm x 76 cm
Framed
£4,000 - £5,000
Lot 20.
Brian Yale (1936-2009)
'The Rainbow'
Oils 91.5 cm x 122 cm
Framed
British painter (1936-2009). In more languages. Spanish. Brian Yale. pintor británico. Traditional Chinese.
£500 - £600
Brian Yale (1936-2009)
'The Rainbow'
Oils 91.5 cm x 122 cm
Framed
British painter (1936-2009). In more languages. Spanish. Brian Yale. pintor británico. Traditional Chinese.
£500 - £600
Lot 21.
Reginald Francis Reynolds (1870-1936)
'The Upward Path' (Exhibited Royal Academy 1936)
Oils 51 cm x 61 cm
Framed
£600 - £700
Reginald Francis Reynolds (1870-1936)
'The Upward Path' (Exhibited Royal Academy 1936)
Oils 51 cm x 61 cm
Framed
£600 - £700
Lot 22.
John Bates Noel (1870-1936)
'An adventurous terrier'
Oils 33 cm x 25.5 cm
Framed
£700 - £800
John Bates Noel (1870-1936)
'An adventurous terrier'
Oils 33 cm x 25.5 cm
Framed
£700 - £800
Lot 23.
Geoffrey Underwood (1927-2000)
Still life with fruit.
Pastels on card.
Unframed
Pastels on card
41 cm x 56 cm
£100 - £200
Geoffrey Underwood (1927-2000)
Still life with fruit.
Pastels on card.
Unframed
Pastels on card
41 cm x 56 cm
£100 - £200
Lot 24.
Suzanne Daynes-Grassot (French 1884-1976) A Ballerina.
50 cm x 65 cm
A French School painter of portraits, figurative subjects, nudes, landscapes and still life, Suzanne Daynes-Grassot was born in Paris, and was a regular exhibitor at the Paris Salon and the Sociétié Nationale between 1918 and 1935, and also at the Salon des Independants and the Salon d’Hiver. She was awarded the Armand Berton Poussielgue Prize at the Salon in 1930 for "La Femme Rousse" (The Red-haired Woman). She also exhibited at the Independent Artists' Winter Salon. She continued to paint after 1935, but it is thought she may have stopped exhibiting. The sale of the contents of her studio was held in 2001 and included some 200 works by the artist herself and her circle. Most of her work is in oils on canvas, but she also occasionally painted in watercolours. Suzanne Daynes-Grassot specialised in pictures of female dancers, intimate feminine subjects and nudes.
£2,000 - £3,000
Suzanne Daynes-Grassot (French 1884-1976) A Ballerina.
50 cm x 65 cm
A French School painter of portraits, figurative subjects, nudes, landscapes and still life, Suzanne Daynes-Grassot was born in Paris, and was a regular exhibitor at the Paris Salon and the Sociétié Nationale between 1918 and 1935, and also at the Salon des Independants and the Salon d’Hiver. She was awarded the Armand Berton Poussielgue Prize at the Salon in 1930 for "La Femme Rousse" (The Red-haired Woman). She also exhibited at the Independent Artists' Winter Salon. She continued to paint after 1935, but it is thought she may have stopped exhibiting. The sale of the contents of her studio was held in 2001 and included some 200 works by the artist herself and her circle. Most of her work is in oils on canvas, but she also occasionally painted in watercolours. Suzanne Daynes-Grassot specialised in pictures of female dancers, intimate feminine subjects and nudes.
£2,000 - £3,000
Lot 25.
English School
Seated model.
Circa 1940.
Oil.
23 cm x 15.5 cm
Framed
£500 - £600
English School
Seated model.
Circa 1940.
Oil.
23 cm x 15.5 cm
Framed
£500 - £600
Lot 26.
Ronald Weldon (1925-1994) 'Still Life with Flowers} Oils 61 cm x 51 cm
Framed
£450 - £550
Ronald Weldon (1925-1994) 'Still Life with Flowers} Oils 61 cm x 51 cm
Framed
£450 - £550
Lot 27.
'The White Boat'
Ricardo Cejudo Nogales
Spanish, born 1952
Framed
£1,500 - £1,800
'The White Boat'
Ricardo Cejudo Nogales
Spanish, born 1952
Framed
£1,500 - £1,800
Lot 28.
Spanish Majolica Charger
19th Cnetury
36.8cm diameter
£300 - £500
Spanish Majolica Charger
19th Cnetury
36.8cm diameter
£300 - £500
Lot 29.
James Stroud, oil on canvas. Entitled “Big Tuskers.
73 cm x 98 cm. in a large gilt plaster frame. James Stroud is an American Postwar & Contemporary artist who was born in 1958. Their work was featured in several exhibitions at key galleries and museums, including the Joel and Lila Harnett Museum of Art, University of Richmond Museums and the Galerie Mourlot.
£3,000 - £4,000
James Stroud, oil on canvas. Entitled “Big Tuskers.
73 cm x 98 cm. in a large gilt plaster frame. James Stroud is an American Postwar & Contemporary artist who was born in 1958. Their work was featured in several exhibitions at key galleries and museums, including the Joel and Lila Harnett Museum of Art, University of Richmond Museums and the Galerie Mourlot.
£3,000 - £4,000
Lot 30.
James Stroud, oil on canvas. Entitled “Searching for Water “.
In a large gilt plaster frame.
61 cm x 98 cm. James Stroud is an American Postwar & Contemporary artist who was born in 1958. Their work was featured in several exhibitions at key galleries and museums, including the Joel and Lila Harnett Museum of Art, University of Richmond Museums and the Galerie Mourlot.
£2,000 - £3,000
James Stroud, oil on canvas. Entitled “Searching for Water “.
In a large gilt plaster frame.
61 cm x 98 cm. James Stroud is an American Postwar & Contemporary artist who was born in 1958. Their work was featured in several exhibitions at key galleries and museums, including the Joel and Lila Harnett Museum of Art, University of Richmond Museums and the Galerie Mourlot.
£2,000 - £3,000
Lot 31.
Catscanvas by K. Celia Wood. With over 50 illustrations.
K. Celia Wood. Oil on artist board. Signed lower right. This painting appears in Celia Woods "Cats Canvas" book. Illustration page 63. Entitled "No greater honor can be that of having an exclusive cat". 20.5 cm diameter in a guilt plaster frame. Back bears a lable "Llewellyn Alexander LTD Gallery." 124-126 The Cut, Waterloo, London.
K. Celia Wood. Oil on artist board. Signed lower right. This painting appears in Celia Woods "Cats Canvas" book. Illustration page 25. Entitled "The truth s we could manage well without you. Our feral friends survive and they run free, But serving us is what you like and will do - And that is how we think life ought to be!". 20.5cm in diamter in a guilt frame.
£160 - £250
Catscanvas by K. Celia Wood. With over 50 illustrations.
K. Celia Wood. Oil on artist board. Signed lower right. This painting appears in Celia Woods "Cats Canvas" book. Illustration page 63. Entitled "No greater honor can be that of having an exclusive cat". 20.5 cm diameter in a guilt plaster frame. Back bears a lable "Llewellyn Alexander LTD Gallery." 124-126 The Cut, Waterloo, London.
K. Celia Wood. Oil on artist board. Signed lower right. This painting appears in Celia Woods "Cats Canvas" book. Illustration page 25. Entitled "The truth s we could manage well without you. Our feral friends survive and they run free, But serving us is what you like and will do - And that is how we think life ought to be!". 20.5cm in diamter in a guilt frame.
£160 - £250
Lot 32.
Guy Eyres (born 1968)
'Sun Worship'
oil on canvas
canvas size: 405 x 405mm
within a bespoke unique closed-corner designer frame
overall framed size: 570 x 570mm
signed to lower right
Guy Eyres (born 1968)
'Sun Worship'
oil on canvas
canvas size: 405 x 405mm
within a bespoke unique closed-corner designer frame
overall framed size: 570 x 570mm
signed to lower right
Lot 33.
‘John Lennon’ 1981 ~ based on a collection of photographs taken on the roof top of Lennon’s apartment on 52nd Street New York on the 29th August 1974 by the celebrated American photographer Bob Gruen (born 1945) a bronze sculpture 425mm high x 370mm wide x 305mm deep including the polished natural stone base by the British sculptor Kenneth Carter (1928 - 2007) signed and numbered 9/15.
Note: The artist self published and due to time constraints and limited funds a cold cast resin bronze of this sculpture, which was not for sale, was cast and exhibited at the 1981 Summer Exhibition of the Royal Academy of Arts where orders were taken for the lost wax bronze edition of 15.
‘John Lennon’ 1981 ~ based on a collection of photographs taken on the roof top of Lennon’s apartment on 52nd Street New York on the 29th August 1974 by the celebrated American photographer Bob Gruen (born 1945) a bronze sculpture 425mm high x 370mm wide x 305mm deep including the polished natural stone base by the British sculptor Kenneth Carter (1928 - 2007) signed and numbered 9/15.
Note: The artist self published and due to time constraints and limited funds a cold cast resin bronze of this sculpture, which was not for sale, was cast and exhibited at the 1981 Summer Exhibition of the Royal Academy of Arts where orders were taken for the lost wax bronze edition of 15.
Lot 34.
Barry Leighton-Jones (1932 - 2011)
'Role Play'
oil on canvas laid down onto plywood panel
size: 1005 x 760mm
within a bespoke unique closed-corner designer frame
overall framed size: 1120 x 875mm
Barry Leighton-Jones (1932 - 2011)
'Role Play'
oil on canvas laid down onto plywood panel
size: 1005 x 760mm
within a bespoke unique closed-corner designer frame
overall framed size: 1120 x 875mm
Lot 35.
Barry Leighton-Jones (1932 - 2011)
'The Triumph of Hope'
oil on canvas
size: 915 x 1220mm
Within a spoke unique closed-corner designer frame
overall framed size: 1080 x 1368mm
Barry Leighton-Jones (1932 - 2011)
'The Triumph of Hope'
oil on canvas
size: 915 x 1220mm
Within a spoke unique closed-corner designer frame
overall framed size: 1080 x 1368mm
Lot 36.
Andrés García Ibáñez (born 1971)
'La Muerte de Tiziano' 2003
oil on board
sight size: 980 x 1180mm
Within a spoke unique closed-corner designer frame
overall framed size: 1190 x 1400mm
Halcyon Gallery stock label to verson
Andrés García Ibáñez (born 1971)
'La Muerte de Tiziano' 2003
oil on board
sight size: 980 x 1180mm
Within a spoke unique closed-corner designer frame
overall framed size: 1190 x 1400mm
Halcyon Gallery stock label to verson
Lot 37.
David Armitage (born 1943)
'Red Painting' 1990
oil on canvas
canvas size: 1760 x 1640mm
Within a bespoke unique closed-corner designer frame
overall framed size: 1888 x 1760mm
Inscribed with title and signed to verso
David Armitage (born 1943)
'Red Painting' 1990
oil on canvas
canvas size: 1760 x 1640mm
Within a bespoke unique closed-corner designer frame
overall framed size: 1888 x 1760mm
Inscribed with title and signed to verso
Lot 38.
David Armitage (born 1943)
'Dream, Landscape II’ 1990
oil on canvas
canvas size: 1390 x 2300mm
Within a bespoke unique closed-corner designer frame
overall framed size: 1500 x 2410mm
Inscribed with title and signed to verso
David Armitage (born 1943)
'Dream, Landscape II’ 1990
oil on canvas
canvas size: 1390 x 2300mm
Within a bespoke unique closed-corner designer frame
overall framed size: 1500 x 2410mm
Inscribed with title and signed to verso
Lot 39.
'Figure ~ Rhythm in Blue' 1964 oil on canvas 705 x 805mm by Raymond Martinez (born 1937), signed and dated ’64 to verso within a closed corner buttermilk hand-painted designer frame, overall size: 805 x 905mm
Provenance: Acquired from The Lefevre Gallery, Bruton Street, Mayfair in 2002
'Figure ~ Rhythm in Blue' 1964 oil on canvas 705 x 805mm by Raymond Martinez (born 1937), signed and dated ’64 to verso within a closed corner buttermilk hand-painted designer frame, overall size: 805 x 905mm
Provenance: Acquired from The Lefevre Gallery, Bruton Street, Mayfair in 2002
Lot 40.
Honoré Cavaroc (1846-1930)
‘Louis Bourgeois Souvenir amical’
oil on canvas laid down on plywood panel
sight size: 200 x 300mm
with a closed-corner ivory hand-painted slip within a closed corner gold metal leaf over black bole frame overall framed size: 360 x 460mm
Honoré Cavaroc (1846-1930)
‘Louis Bourgeois Souvenir amical’
oil on canvas laid down on plywood panel
sight size: 200 x 300mm
with a closed-corner ivory hand-painted slip within a closed corner gold metal leaf over black bole frame overall framed size: 360 x 460mm
Lot 41.
Eric Mason (1921-1986)
‘The National Gallery’ circa 1964
oil on canvas
size: 610 x 915mm
within a closed-corner white hand-painted designer frame
overall framed size: 725 x 1032mm
Eric Mason (1921-1986)
‘The National Gallery’ circa 1964
oil on canvas
size: 610 x 915mm
within a closed-corner white hand-painted designer frame
overall framed size: 725 x 1032mm
Lot 42.
‘Girl with Hoop’ 2002 - 2003 a maquette of the commissioned sculpture for Normansfield Hospital, Richmond, London a mixed materials sculpture: bronze finished glass reinforced plastic with brass coated steel elements 890mm high x 560mm wide x 180mm deep by the British sculptor André Wallace (born 1947) monogrammed to the back edge of the base and signed to the left hand side of the base.
Wallace’s work holds something in common with the work of Aristide Maillol and Frank Dobson. Undoubtedly, Wallace’s large-scale work has a heroism and monumentality, a relaxed classicism which both these sculptors evince. There is evident in the work of all three having a similar poise, confidence, and above all, formal clarity. Andrew Lambirth.
The 3 dimensional, multi-faceted viewpoints invite the onlooker to move around the work to see every aspect and silhouette and every modulation from highlights to the deepest shadows. There is no prescriptive meaning. Sue O’Brien
‘Girl with Hoop’ 2002 - 2003 a maquette of the commissioned sculpture for Normansfield Hospital, Richmond, London a mixed materials sculpture: bronze finished glass reinforced plastic with brass coated steel elements 890mm high x 560mm wide x 180mm deep by the British sculptor André Wallace (born 1947) monogrammed to the back edge of the base and signed to the left hand side of the base.
Wallace’s work holds something in common with the work of Aristide Maillol and Frank Dobson. Undoubtedly, Wallace’s large-scale work has a heroism and monumentality, a relaxed classicism which both these sculptors evince. There is evident in the work of all three having a similar poise, confidence, and above all, formal clarity. Andrew Lambirth.
The 3 dimensional, multi-faceted viewpoints invite the onlooker to move around the work to see every aspect and silhouette and every modulation from highlights to the deepest shadows. There is no prescriptive meaning. Sue O’Brien
Lot 43.
‘Monkey’ 1999 1/9 a solid bronze sculpture 230mm high x 200mm wide x 235mm deep by the British sculptor Olivia Clifton-Bligh (born 1971) with incised signature, date and edition number.
‘Monkey’ 1999 1/9 a solid bronze sculpture 230mm high x 200mm wide x 235mm deep by the British sculptor Olivia Clifton-Bligh (born 1971) with incised signature, date and edition number.
Lot 44.
‘Minotaurus’ 1989 1/200 a bronze sculpture 445mm high x 155mm wide x 130mm deep by the German sculptor Paul Wunderlich (1927-2010) with incised signature, date, edition number and foundry mark.
‘Minotaurus’ 1989 1/200 a bronze sculpture 445mm high x 155mm wide x 130mm deep by the German sculptor Paul Wunderlich (1927-2010) with incised signature, date, edition number and foundry mark.
Lot 45.
‘Rebecca Sunbathing’ a unique solid bronze sculpture 85mm high x 298mm wide x 118mm deep by the British sculptor Karin Margareta Jonzen, née Löwenadler (1914-1998) with incised signature.
‘Rebecca Sunbathing’ a unique solid bronze sculpture 85mm high x 298mm wide x 118mm deep by the British sculptor Karin Margareta Jonzen, née Löwenadler (1914-1998) with incised signature.
Lot 46.
'Le Pianiste de Jazz' 1970 identified as 'Willie "The Lion" Smith a mixed metal and hand-painted unique sculpture 590mm high x 510mm wide x 430mm deep by Roger Bertin (French 1915-2003) signed and dated.
Created three years before the subject in the sculpture died. A black American fathered by a black American with French connections who was a Bonaparte. The name he retained but for a short time as his parents split up when he was a baby and his mother married an American named Smith. Willie Smith, known as Willie "The Lion" Smith, gained fame as one of the leading exponents of the Stride style of jazz. His nick-name “The Lion” was as a result of his heroics in the First World War. A black life that certainly did matter, one that was greatly appreciated and recognised for the great man that he was.
Provenance: From The Hanson Collection.
'Le Pianiste de Jazz' 1970 identified as 'Willie "The Lion" Smith a mixed metal and hand-painted unique sculpture 590mm high x 510mm wide x 430mm deep by Roger Bertin (French 1915-2003) signed and dated.
Created three years before the subject in the sculpture died. A black American fathered by a black American with French connections who was a Bonaparte. The name he retained but for a short time as his parents split up when he was a baby and his mother married an American named Smith. Willie Smith, known as Willie "The Lion" Smith, gained fame as one of the leading exponents of the Stride style of jazz. His nick-name “The Lion” was as a result of his heroics in the First World War. A black life that certainly did matter, one that was greatly appreciated and recognised for the great man that he was.
Provenance: From The Hanson Collection.
Lot 47.
‘Artistes’ 1975 1/9 a bronze sculpture on a wooden plinth 215mm high x 130mm wide x 105mm deep by the British sculptor Willi Soukop (1907-1995) with incised signature and, edition.
Exhibit number 1005 at the 1975 Summer Exhibition of the Royal Academy of Arts
‘Artistes’ 1975 1/9 a bronze sculpture on a wooden plinth 215mm high x 130mm wide x 105mm deep by the British sculptor Willi Soukop (1907-1995) with incised signature and, edition.
Exhibit number 1005 at the 1975 Summer Exhibition of the Royal Academy of Arts
Lot 48.
‘Masquerade’ 9/20 a solid bronze sculpture 620mm high including the marble plinth by the British sculptor Carl Payne (born 1969) with incised edition number, signature and the Callaghan publishers mark.
‘Masquerade’ 9/20 a solid bronze sculpture 620mm high including the marble plinth by the British sculptor Carl Payne (born 1969) with incised edition number, signature and the Callaghan publishers mark.
Lot 49.
Masquerade II’ 6/90 a bronze sculpture 585mm high by the British sculptor Carl Payne (born 1969) with incised signature and edition number.
Masquerade II’ 6/90 a bronze sculpture 585mm high by the British sculptor Carl Payne (born 1969) with incised signature and edition number.
Lot 50.
'La Pucelle' ~ Maid of Orleans ~ Joan of Arc image 1 A/C bronze sculpture with patinated and polished elements 705mm high including granite plinth by the British sculptor Carl Payne (born 1969) with incised signature.
'La Pucelle' ~ Maid of Orleans ~ Joan of Arc image 1 A/C bronze sculpture with patinated and polished elements 705mm high including granite plinth by the British sculptor Carl Payne (born 1969) with incised signature.
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